Off set, Laura Finiti’s all about music, tattoos and late night drives. She says her biggest turn-on is when the camera fades and it still feels real. She’s got thing for POV scenes - it’s all in the eye contact. Looking across Laura Finiti’s archive, it is easy to notice visual consistency without making every appearance feel copied from the last, a useful quality when the catalog contains a lot of material. When the composition puts her at the center, her personality keeps the frame from feeling empty, which makes the result easier to distinguish from generic filler. Outside the studio, Laura Finiti’s into motorcycles, loud bass and getting lost in the moment. She loves long foreplay and scenes that build slowly - tension is her kink. She’s got thing for POV scenes - it’s all in the eye contact.